Digital Media Convergence in relation to Advertising & New Media
"None of us really know how to live in this era of media convergence, collective intelligence and participatory culture. These changes are producing anxieties and uncertainties, even panic, as people imagine a world without gatekeepers and live with the reality of expanding corporate media power."
– Henry Jenkins (Convergence Culture: Where Old and New Media Collide, p. 170)
The way in which information and
entertainment are delivered today; has rapidly changed. If you read the mail,
it came in an envelope. If you wanted to read the newspaper, you needed to buy
the paper. If you were a phone call away from home, you had to find a payphone.
Now, all of this comes to us on the same device. Driving this evolution is
digital media convergence. ‘Media convergence (i.e. the ability to deliver
different media channels via one digital platform) is creating a new media age’
(McPhillips & Merlo,
2008) .
The new media age is producing new sources of complexity and uncertainty. Today,
digital media convergence has fundamentally impacted on the way the world
works.
Jenkins defines
this evolution of media convergence as 'the flow of content across multiple
media platforms, the cooperation between multiple media industries, and the
migratory behaviour of media audiences who will go almost anywhere in search of
the kinds of entertainment experiences they want.' Jenkins emphasizes the idea
of the circulation of media content across different media systems, economies,
and nations, which depends on active participation of consumers. The result,
according to Jenkins, is that 'every important story gets told, every brand
gets sold, and every consumer gets courted across multiple media platforms' (Sheehan &
Morrison, 2009) . This predicament is
further highlighted in the video below on the “New Media Revolution”.
Convergence under pressure leads to fragmentation
(Ludes, 2009) . Media fragmentation
has led to a multiplicity of choices for consumers but also an array of
challenges for brands. Consumers now have the choice of exactly when and how
they interact with brands. Brands need to decide how to reach their consumers
most effectively, considering the vast range of different channels now
available to them – Internet, radio, TV, mobile and print. Mueller
suggests that to be successful in a world today where media, advertising and
consumers are rapidly converging, “...one needs to disseminate media through
multiple channels. Where a print communication might have succeeded in the
past, one must now craft the story, get it to press, post the blog entry, tweet
the copy, launch the YouTube promo, alert LinkedIn and Facebook contacts and
find a marketing partner to infuse revenue” (Mueller, 2010) . Advertising fuels media and hence, digital
media convergence has had profound implications on the advertising industry and
the way advertisers understand and strategically reach audiences.
In the advertising industry, digital media
convergence has heavily impacted the area of online multimedia and social
networking. The rise of social networking media such as Facebook, Twitter, YouTube
and blogs has increased opportunities for advertisers to reach millions of
consumers. Companies such as Coca-Cola are now merging to Facebook timeline
advertising which incorporates both product advertising and social media in one
(Monheit, 2012) . <http://www.facebook.com/cocacola>
Internet
based advertising is now at the hands of the audience. For example, a YouTube
video displaying an advertisement from Coca-Cola; grants the ability for the
user to stop watching the video at a click of a button. This may seem as a disadvantage;
however, in fact this raises the chances of the video going ‘viral’. A viral
video rapidly propagates through the internet reaching all ends of the globe.
This is achieved through user ‘sharing’ via social media sites. The speed at
which viral videos travel highlights the effectiveness of internet advertising
and simultaneously outlines the impact and efficiency of digital media
convergence. This new media age has significantly transformed the media
landscape by adjusting the role of the consumer from what Jenkins defines as a passive
audience to actively producing, editing and sharing content (Jenkins, 2006) . The advertisement for T-Mobile below, viewed on YouTube
almost 12 million times, reveals the popularity of social media as an opportunity
for advertisements to tap into what Castells describes as the interactive and
networking nature of the converged media environment (Castells, 2000) .
New Media can be defined from the technological point of view as, 'new technology which helps in sustainable development in the field of communications' (Mitra, 2011). The power of media guides us through a space of no end. Mobile communications receives considerable attention in current debates on new media and communication technologies
Despite the limitations that digital media convergence has formed, it has
also created opportunities for companies to develop and deliver services through
advertising across various platforms. Not only has it been a benefit to
companies but also to users who now have access to new kinds of media and communication
services. But the question that it leaves is; will converged digital media continue
to be successful in a world marketplace?
References
Castells, M., 2000. The Rise of the Network
Society. 2nd ed. United Kingdom: Blackwell Publishing Ltd.
Ito,
M., 2010. New Media and Its Superpowers: Leaning, Post Pokemon. [Online]
Available at: http://www.itofisher.com/mito/publications/new_media_and_i_1.html [Accessed 18 August 2012].
Available at: http://www.itofisher.com/mito/publications/new_media_and_i_1.html [Accessed 18 August 2012].
Jenkins,
H., 2006. Convergence Culture: Where Old and New Media Collide. New
York: NY University Press.
Ludes,
P., 2009. Convergence and Fragmentation: Media Technology and the
Information Society. Chicago: Intellect Ltd.
McPhillips,
S. & Merlo, O., 2008. Media convergence and the evolving media business
model: an overview and strategic opportunities. The Marketing Review, 8(3),
pp. 237-253.
Mitra,
A., 2011. New Media and Convergence: A Development Communication Perspective. Global
Media Journal, 2(2).
Monheit,
D., 2012. mUmBRELLA. [Online]
Available at: http://mumbrella.com.au/facebooks-timeline-for-brands-finally-a-cure-for-the-ghost-towns-of-the-internet-78827 [Accessed 20 August 2012].
Available at: http://mumbrella.com.au/facebooks-timeline-for-brands-finally-a-cure-for-the-ghost-towns-of-the-internet-78827 [Accessed 20 August 2012].
Mueller,
T., 2010. Advertising, Media and the Convergence Model. [Online]
Available at: http://www.aejmc.org/topics/archives/409 [Accessed 28 August 2012].
Available at: http://www.aejmc.org/topics/archives/409 [Accessed 28 August 2012].
Orgad,
S., 2009. Mobile TV: Old and New in the Construction of an Emergent Technology.
Convergence: The International Journal of Research into New Media
Technologies, 15(2), pp. 197-214.
Sheehan,
K. B. & Morrison, D. K., 2009. Beyond convergence: Confluence culture and
the role of advertising agency in a changing world. First Monday, 14(3).
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